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Born in 1975 in Hammond, Indiana, Beth Sheridan had a humble beginning to life, homeless and quickly removed by the state into foster care, she now resides outside Houston, Texas working as both an aerospace engineer and artist. She was adopted into a family where her father’s love of photography quickly began to influence her artistic eye.
A self-taught photographer, Sheridan has studied under many known-names in the photographic community including Nevada Weir, Joel Grimes, Michael Sebastian, Michael Clark, David Black, Scott Kelby, Nicole S. Young, and Rene Johnson just to name a few. Beth Sheridan has also studied under some of NASA’s top photographers; it is their role to both capture the technical work of the agency as well as to teach our Nation’s astronauts how to document the earth during their tours on the International Space Station.
In 2016, after a life-long battle with chronic illnesses that had manifested as everything from severe upper respiratory illness and hospitalizations, surgeries on her legs and ankles and even cervical cancer Sheridan was finally diagnosed with a primary immunodeficiency disorder called Common Variable Immunodeficiency (CVID). This deficiency is related to “Bubble Boy Syndrome” though not as severe. Sheridan has found photography to be her healing meditation for much of her life and feels that without both her engineering side and her artistic side, she cannot be whole.
Employing a variety of techniques inspired by her engineering education, Sheridan explores photographic themes ranging from cultural identity, to tradition and heritage, to place and light. Her diverse works encompass digitally manipulated landscapes and narrative documentaries to still-life executed in a variety of styles, including painterly, color photography, and abstract.
Though best known for her detailed, and life-like, landscapes, Sheridan first made her artistic debut in the 2010s with an award-winning series of documentary-style photographs on women at work in Nepal. These early works featured a group of women on the banks of a crocodile-infested Nepalese river carrying grasses and reeds, back to their villages. This series was important to Sheridan as she was there speaking to students about science, technology, engineering and math. This was time when Nepal was fighting for constitutional rights for women’s education. To see these women working in perilous conditions was a stark juxtaposition to the argument Nepal’s government was undergoing on women’s educational rights at the time. Sheridan continues to intrigue her fans with meticulously crafted works inspired by current events and seen through the lens of an artist/engineer’s eye with topical documentary art as well as landscapes that tell the story of live as she sees it.